Friday, December 18, 2009

Avatar - Review




Let me just cut to the chase: James Cameron's AVATAR lives up to its expectations. At least a majority of them. He paints a magnificent world of wonder and makes the CGI work perfectly with the real-life actors. The animation of the Na'vi characters through extensive motion capture is very natural and organic, with perfect facial expressions and body language. I may be hyping strictly the visual effects so far but that is because it is most obvious and notable aspect of this film that can help viewers forgive the stock plot of its script.


Though the many detractors may link this up with the enviromentalistic FERN GULLY as a joke, AVATAR is more simply a very glossy coating of DANCES WITH WOLVES. On the floral planet of Pandora, there is a substance called laughably "Unobtainium", a special mineral that Earth corporations want to take control of for profit. However, the planet's race of indigenous humanoids dubbed the Na'vi refuse to move from their forest residences and have created a tense environment with the hired military units. Meanwhile, a paraplegic Marine named Jake Sully (Sam Worthington) has taken over his twin brother's lucrative and informative position as a subject for the Avatar program. This scientific program was created to make genetically engineered Na'vi-like bodies as a way to democratically handle the racial situation and for their own private gain. Jake if forced to break away during an expedition and gets himself impeded with a Na'vi tribe and in a destined relationship with the leader's daughter Neytiri (Zoe Saldana). Cue the juggling of duty between the military leader (Stephen Lang) and head scientist (Sigourney Weaver), romantic melodrama, and a action-packed finale.


The plot may be expected and I may have treated it cynically, but Cameron has written it with entertaining dialogue and special story elements that makes his dream idea seem truly unique. One noteworthy moment is when Jake's status as a being is deeply questioned due to his constant jumping between his Avatar body and his human form. He becomes depressed and loses his track of thinking and the timelines imposed on to his missions. Another thing I enjoyed thoroughly was that Cameron gave all of the characters a gray morality instead of the "black and white" trope. For instance, the military colonel actually upholds the Marine code and seems to truly care for Jake by keeping his promise to repair his legs for his sleeper mission. As for the scientists, they have been caught up with their work and their sought-after goal that they have forgotten the reality of the situation and what the Na'vi truly want. This is best shown in the scene where Weaver tries to tell the corporate head about her theory of a collected nervous system among the plants and appears to be out of her mind. It's kinda of a nice callback to Weaver's work in GORILLAS IN THE MIST.


While the script has some good touches, there are some holes and big problems that aren't address. The "Unobtainium" MacGuffin isn't fully explained, only in a quick scene. I forgot why it is so important and the film did too, since you hardly ever see any mining or the crews working in a special area that had been violently conquered. The romance between Jake and Neytiri doesn't fully developed properly and is rushed due to the constant focus on Jake's viewpoint. It starts off on the right note but dropped in the many training scenes until returning again in the obvious moments. Speaking of Neytiri, she is the only Na'vi character with characterization, as the other important Na'vis get barely any time or lines to be flesh out. They simply stick to the selected roles. The same goes to some minor military characters who are intended to be enjoyable killed later but get no attention to warrant a response. As a last note, the ending theme is no "My Heart Will Go On" and is a bloated mess to play over the credits.


I have talked more about the criticisms than the positives, but AVATAR is an enjoyable adventure in the theaters. I say adventure in both the sense of its script and its visual effects. Cameron has created a film that wisely builds up the tension slowly between the Humans and the Na'vis until the climatic final battle. While it could have been as great as some of his previous sci-fi films, it still gets the job done and deserves to be discussed and enjoyed later on with them.



FINAL REVIEW: 4 / 5

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