Saturday, October 28, 2017

The Florida Project - Review




Just outside the pearly white gates of Disney World in Orlando, Florida lies a shabby flophouse called "The Magic Castle" where the poor and desperate try to make do with their grim situation. Over the course of one hot summer season, several of its residents, including the hotel's manager and the young daughter of an ex-call girl, partake in many misadventures that have the potential to wipe away the silver lining of their lives. THE FLORIDA PROJECT is both a magnificently charming look at childhood innocence under grave circumstances and a damning examination at the so-called 2nd happiest place on Earth. Director Sean Baker expertly highlights the colorful but depressing side of the capital of American amusement parks, where the roads are filled with tacky outlets, motels with Disney knockoff names and tourist-first mentalities, slums and swamps that go unchecked, and single parents left to wallow in their own filth. But much similar to his previous film TANGERINE, Baker counterbalances the human despair with crude yet utterly hilarious comedy, often coming from the mouth and imagination of main tyke Moonee. The film possesses some of the absolute best child actors I have ever seen, all of whom are non-professional, with Brooklynn Prince shining like a bright star as Moonee. Unknown actress Bria Vinaite also turns heads as Moonee's destructive mother, who adores her little girl but whose actions causes her daughter to be brought up terribly and her future as a parent to be in total jeopardy. And then you have the always fantastic Willem Dafoe who's amazing as the hotel overseer Bobby, who acts as a pseudo father figure for the female protagonists but is able to remain objective due to his unseen past experiences with bad parenting and awful residents. Baker does a expert job in both the directing and editing chairs, particularly with a scene at a resort thats echoes a certain Italian masterpiece, and the film is beautifully well shot thanks to the stunning cinematography of Alexis Zabe. The only trip-up that really does hurt the picture is the ending; this just landed like a deep thud in my theater and led everyone to walk out bewildered. I get what Baker was trying to accomplish with it but it's not executed well, comes off as a total cheat, and steps on the toes of a certain indie that was able to make it work. I may deduct some points because of its bizarre conclusion but I definitely see this movie growing on me further down the line.


FINAL REVIEW: 4 / 5

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