Tuesday, March 6, 2018

Annihilation - Review




Army vet turned biologist Lena (Natalie Portman) joins up with a small squad of accomplished females in their venture into "The Shimmer", a classified region hampered by mysterious mutation and time dilation that her long-thought dead husband (Oscar Issac) somehow survived in. ANNIHILATION banks heavily on surreal visuals, disturbing sci-fi and easy ambiguity in order to fool the viewer that they are watching something highly intelligent and masterfully crafted. Alex Garland's take on the Jeff VanderMeer novel with the same generic name is a baffling affair, laughably amateurish at some points but quietly unnerving at other times. In order to partake in the real terror and intrigue of the picture, you have to twiddle your thumbs through the establishment of its wafer-thin characters and a lot of stalely directed walking segments. Some of the early goings feel like they weren't handled by the vision behind EX MACHINA but by someone with the same caliber as Tommy Wiseau; One of the biggest unintentional laughs comes when the geologist brings up the painful death of her daughter and then the film just cuts ahead, proceeding to never give said character any more actual distinction for the rest of the film. If you try to focus on the main plotline of Lena's strained relationship with her husband, you will be sorely disappointed. It's so rote and vanilla, never having a pulse to it until the predictable ending that any one with half a brain can call out. But even with all of the eye-rolling and deep sighs it helps produce, I frankly couldn't hate the film or say it's a complete wash. The actresses try their best with whatever they got, the horrors on display are truly horrific, and it wisely maintains a toxic air of helplessness the very moment the party crosses over. Even when the CGI comes out in full force during the climax, bequeathing many sights that are on the edge between sobering and ludicrous, you still feel uneasy and paralyzed from the gross aesthetics, nihilistic theming, and the intensely throbbing score by Ben Salisbury and Geoff Barrow. Maybe a re-watch down the road will help alleviate or possibly even cure my mixed feelings toward it but I certainly can not recommend it to the average joe. Those seeking a downer or dark science fiction need only apply.


FINAL REVIEW: 3 / 5

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