Tuesday, February 8, 2022

Initial Reaction to the 2022 Oscar Nominations


So I'm back in the saddle to react to the Oscar noms but I'm not starting off my raves and rants first with a major snub. Sure, I'm not super jazzed about Belle not getting into Best Animated Feature (more on that category later) but everything was pretty much expected for the most part.


7 out of 10 for the predictions for Best Picture. My bet on Drive My Car paid off but The Lost Daughter; tick, tick... BOOM!; and The Tragedy of Macbeth lost out to King Richard, Licorice Pizza and Nightmare Alley.


Really surprised but not totally shocked at Nightmare Alley getting in for Best Pic. That's largely because of all the news and Hollywood gossip I've been hearing about how hard Guillermo del Toro has been campaigning for it in L.A.


If you really, truly, deeply thought that the Academy would give Spider-Man: No Way Home a nom for Best Picture, you really need to get out of the echo chambers you locked yourself in and see the sun again.


I should be really mad at Denis Villeneuve getting snubbed for Best Director but I honestly don't care that much. Still a shocking surprise though.


I really thought the Academy was going to do two women directors again but alas, nothing for Maggie Gyllenhaal. I somehow thought Paul Thomas Anderson had no chance but at least Ryusuke Hamaguchi got in after having a stellar 2021.


Best Actor noms were easy picks yet I stupidly thought Javier Bardem would go to Best Supporting Actor, with Joaquin Phoenix for C'mon C'mon taking his place.


Let's face it here and now: Will Smith will lose to Benedict Cumberbatch come Oscar night.


Jessica Chastain and Nicole Kidman locked in with ease despite my apathy for their deliberate Oscar ploys. Glad Olivia Colman, Penelope Cruz, and Kristen Stewart got in. But holy crap, no Lady Gaga?! And no Rachel Zegler?!!


I really thought Kirsten Dunst should have been included for Best Actress but she at least got in for Best Supporting Actress.


Not shocked at all for Judi Dench being included for Best Supporting Actress. I always had her as a spoiler though I really wanted Rita Moreno instead. I feel really bad Ruth Negga and Ann Dowd got snubbed (Caitriona Balfe as well to a lesser degree) but I was shocked by the inclusion of Jessie Buckley.


No Jared Leto! Hallelujah!!!


Also no Ben Affleck as well? Huh, many people in Hollywood must really loathe him.


Very happy Jesse Plemons got in for Best Supporting Actor. And wow at J.K. Simmons getting in. From the clips I've seen of Being The Ricardos, he is his usually great self. He more than likely got in due to being a favorite actor in the industry plus having Aaron Sorkin as his writer/director.


I really liked Colman Domingo in Zola but he had no chance to break through the pack.


More big acting snubs: Nicolas Cage for Best Actor; Bradley Cooper for both Best Actor and Supporting Actor; Alana Haim, Frances McDormand, and Jennifer Hudson for Best Actress; Jamie Dornan, Mike Faist, and Tony Leung for Best Supporting Actor; Marlee Matlin for Best Supporting Actress.


Of that pile of acting snubs, I'm really confused at the amount of people who honestly thought Jennifer Hudson would have been included. Respect was no Ray, not with the critics nor with the public.


God damn the Disney Machine! They got all three of their films in for Best Animated Feature with ease, leaving Belle in the dust. Damnit, Sing 2, you were supposed to take Luca out of the competition! It's up to Flee and The Mitchells vs. The Machines to try and stop Encanto from winning which sadly is a hard hill to climb.


Also, congrats to Flee for making history as a nom for Best Animated Feature, Best International Feature, and Best Documentary Feature.


No A Hero for Best International Feature. The hell?! Like Best Actor, everyone expected the obvious five noms but instead Lunana: A Yak In The Classroom took its spot. Upon investigating, i.e. checking Wikipedia, this film was already submitted and disqualified at last year's Oscars yet was able to re-submit for this year's. Again, the hell?!!


Got 4 out of 5 with Best Original Song. I wonder how many people of Twitter will be mad at "We Don't Talk About Bruno" and "Surface Pressure" from Encanto not getting nominated despite the sheer fact that Disney never submitted them to the Academy.


Freaking Van Morrison for Best Original Song. I would have liked it if I didn't have to suffocate on all of his other songs in Belfast.


Diane Warren got another nomination! Seriously, she's the Susan Lucci of the Oscars. The Academy and all of Warren's friends: Either shit or get off the pot!


I just realized that West Side Story wasn't nominated for Best Adapted Screenplay. That really sucks considering the effort put forth by Tony Kushner but that's a pretty stacked five.


Oh wow, The French Dispatch was completely snubbed. Same for Annette, Petite Maman, Zola, Red Rocket, Shiva Baby, Last Night In Soho, and The Card Counter.


And the biggest snub of all goes to... Paw Patrol: The Movie for Best Animated Feature!



That about does it. Tune in next month for my predictions which I obviously will fail at.

Friday, January 7, 2022

Anime Watch of 2021



2021 may very likely go down as one of the best years ever for anime. The year was flooded with many highly acclaimed series and highly anticipated adaptations. Even when it looked like the fall season was going to be skippable, it birthed out some original titles that greatly shook viewers. Netflix started to break the chains off of their "jail" policy in order to experiment while also delivering several titles that had fans cheering up and down for. Even the movies side came in spades, from the American box office success of Demon Slayer The Movie: Mugen Train to global fans finally able to say goodbye to Evangelion and allow Hideki Anno some much needed rest.


However, I purposefully said one of the best years ever for anime, not perfect. Because oh man were there some mammoth lowlights. Let's start by talking about the elephant in the room: the disaster that was the second/last season of The Promised Neverland. A catastrophe so monumental that some fans now more willingly than jokingly believe it never existed. Then you have the other "holy shit" collapses of the year, namely Wonder Egg Priority, The Detective Is Already Dead, Peach Boy Riverside and (depending on who you ask) Fena: Pirate Princess. These failures were so big and dreadful that they literally made everyone forgot all about the controversy surrounding Redo of Healer. And though the fall season had some surprises, the worst of them was the universal rejection of Netflix's live-action adaptation of Cowboy Bebop, a bomb so bad that Netflix had to announce its cancellation mere weeks after it dropped.


As for myself in 2021, I continued my journey through anime series I missed while also partaking on newer ones that caught my eye. I kicked off the year re-upping my annual subscriptions to Funimation and Crunchyroll, though I still greatly wish that I could get a discount on them now that the two streaming platforms are both owned by Sony. I pretty much predicted myself not to pig out on anime as much as I did in 2020 but I expected to have a big enough haul. Things were going fine for the most part until I reached the end of September. At that point, I just flat out stopped watching. From then to New Year's Eve, I didn't watch anything save for one show on Netflix, not even a rewatch of an episode. After theorizing and doing some research, it appears that I've underestimated how greatly the sudden death of a beloved family member to COVID affected me. Instead of finding some comfort in anime, I went to movies, video games, YouTube, and Twitch. I do feel bad about leaving anime in the dust during this period, as I was counting on myself to finally make time for Horimiya after richly enjoying its first manga volumes, support Banished From The Hero's Party after reading its first two light novel volumes, continue my trek through rom-com with My Senpai Is Annoying, check out the highly anticipated (but stupidly delayed in America) adaptation of Edens Zero, partake in the sports insanity of Sk8 The Infinity, return to Cell At Work!! with its new brief season and its spinoff title Code Black, and/or see what all the hubbub was about ODDTAXI. Hell, I also didn't make time to finish up shows I liked in 2020, such as Fire Force and Black Clover. Regardless, I ended the year with a watch count of 39 series.


Since I like to capture my thoughts and feelings, I once again decided to create a list of my watched shows, starting from what I dubbed were the best and traveling all the way down to the ones that left me angry and/or stupefied. The rules of the list are as follows: The overall quality of the show and my personal response to it are the major factors towards their rank. However, other additional factors such as replayability, voice talent, and lasting impact can help sway their placing. Only new shows/new viewings count; rewatches are immediately disqualified and if I watch a show that I already started, only the continuing unwatched episodes will be reviewed. I treat and grade all series fairly, even ones that I haven't actually finished or may not choose to finish. If you see a * next to the title, that means I had a limited sampling of the show or didn't complete the series/franchise fully. However, to shake up things from the 2020 edition, I have included shows I watched on Netflix to the list, thus giving a more fuller view of my anime habits in 2021.

(NOTE: Like last year, I wanted to have the full list made live as soon as possible. I will be continuing to edit and include more thoughts and screenshots until fully satisfied.) 



1. Komi Can’t Communicate

2. Welcome To Demon School! Iruma-kun (Season 2)

3. Bottom-Tier Character Tomozaki

4. Oresuki: Are You The Only One Who Loves Me?

5. Don’t Toy With Me, Miss Nagatoro

6. My Next Life As A Villainess: All Routes Lead To Doom! X* [eps. 1-5]

7. Pui Pui Molcar

8. Haganai

9. Demon Slayer: Kimetsu no Yaiba

10. Tonikawa: Over The Moon For You

11. The Devil Is A Part-Timer!

12. Suppose A Kid From The Last Dungeon Boonies Moved To A Starter Town

13. How A Realist Hero Rebuilt The Kingdom

14. How Not To Summon A Demon Lord

15. Is It Wrong To Try To Pick Up Girls In A Dungeon?

16. Toradora!

17. The Disastrous Life of Saiki K.* (Season 1)

18. Jujutsu Kaisen* [eps. 1-3]

19. Kuroko’s Basketball* [eps. 1-14]

20. The Misfit Of Demon King Academy* [eps. 1-4]

21. I’ve Been Killing Slimes For 300 Years And Maxed Out My Level* [eps. 1-3]

22. The Hidden Dungeon Only I Can Enter* [eps. 1-6]

23. Tsukimichi -Moonlit Fantasy-* [eps. 1-4]

24. Black Clover* [ep. 170]

25. Hundred

26. Lovely Complex* [ep. 1]

27. Kyo Kara Maoh!* [eps. 1-3]

28. Hortensia Saga* [eps. 1-4]

29. High School Prodigies Have It Easy Even In Another World* [eps. 1-2]

30. The Saint’s Magic Power Is Omnipotent* [ep. 1]

31. Rainbow Days* [eps. 1-8]

32. My Hero Academia* [S5 eps. 89-90]

33. Tenchi Muyo! War On Geminar* [ep. 7]

34. Death March To The Parallel World Rhapsody

35. Full Dive: This Ultimate Next-Gen Full Dive RPG Is Even Shittier Than Real Life!* [ep. 1]

36. Record of Ragnarok* [eps. 1-8]

37. Masamune-kun’s Revenge

38. The Way of the Househusband* [eps. 1-2]

39. Armor Shop for Ladies & Gentlemen* [S1, Flips The Script, S2 eps. 1-7]



So where do I go from here? For 2022, I hope to watch and finish more series so I don't suffer a huge crash in my watch count. I least get to enjoy the second season/part two of Komi Can't Communicate and How a Realist. Plus, My Dress-Up Darling premieres in two days and the hugely anticipated Spy x Family comes out in April. As for older titles, I would like to finally sink my teeth into Classroom of the Elite and My Teen Romantic Comedy SNAFU. Hopefully you get to hear my thoughts on those and more titles next January.

Tuesday, January 4, 2022

Best Performances and the Rest of 2021



Since I saw many quality films last year, plus being more in the mood to celebrate them, I decided to do some of my other movie awards. Granted, as seen below, the majority of them just went to the same three films but I appreciated them so much that they richly deserve an encore.


BEST ACTOR: Benedict Cumberbatch - The Power of the Dog

BEST ACTRESS: Rebecca Ferguson - Dune

BEST SUPPORTING ACTOR: Jason Momoa - Dune

BEST SUPPORTING ACTRESS: Ariana DeBose - West Side Story

BEST ENSEMBLE: Dune

BEST DIRECTOR: Denis Villeneuve - Dune

BEST SCREENPLAY: Tony Kushner - West Side Story

BEST SCORE: Jonny Greenwood - The Power of the Dog

BEST SONG: "No Time To Die" by Billie Eilish - No Time To Die

BEST TRAILER: Licorice Pizza

Monday, January 3, 2022

The Films of 2021



2021 didn't deliver the immediate bounce back everybody wished, prayed, and hoped for, especially after the events of January 6. We all had to suffer through a deluge of misinformation, people spewing anger and utter nonsense, and the unending waves of COVID infections and variants. And yet despite all of the head-shaking drama and complete hogwash, we are finally seeing a light at the end of the tunnel. We may have to keep pulling on all of the buffoons' hands, even when they stomp their feet endlessly or break off and suffer the eventual consequences, but we're starting to see some better results.


As for the film industry, well, the results weren't as kind. One of their earliest galas of self-congratulations, the Golden Globe Awards, spawned an awful edition laden with technical difficulties and led to little to none viewership thanks to the near non-factor of movies in 2020 and bizarre rule changes. The Hollywood Foreign Press suffered an even greater blow when a news report revealed the lack of diversity in their ranks, eventually leading to studios to boycott the Globes and NBC to cancel further broadcasts. The Oscars tried to shake up their stagnant presentation in order to entice the public, only to have less than 10 million viewers watch an edition with no exciting stakes and a much criticized anticlimactic finale. The studios aggressively urged people to return to the cinema despite the ongoing pandemic with several theaters-only flicks only for the great majority of them, aka non-superhero pics, flopping or achieving less than stellar results. Despite great critical reviews and the monumental efforts put forth in them, save for one featuring a very old looking actor playing a teenager, every single movie musical bombed at the box office. Disney shut down Blue Sky Studios to no fanfare and continued their lambasted premium access plan to major movies via Disney+, which would come back to haunt them when Scarlet Johansson sued the company over their treatment of Black Widow. Netflix continued capturing the pop culture zeitgeist with their slew of original series, which greatly impacted their original film lineup when it wasn't also being overshadowed by the company's P.R. shit show. And finally, there's the still ongoing investigation and controversy over the Rust shooting tragedy, where a prop gun Alec Baldwin was handling discharged real rounds, injuring the director and killing cinematographer Halyna Hutchins.


But not everything was a total wash for the world of cinema. We got to see more representation and respect for female filmmakers, with Julia Ducournau becoming the first solo female winner of the Palme d'Or, Maggie Gyllenhaal break through as a new voice, and the celebrated return of Jane Campion. Lin-Manuel Miranda was everywhere, whether you wanted him or not, and scored a lot of notices both for his usual composing expertise and his film directorial debut. An anime juggernaut finally saw its box office shattering feature released in the States where it shockingly became one of the biggest films of the year, even earning the ultra-rare distinction of being the #1 film in the entire nation. HBO Max largely succeeded last year thanks to Warner Bros' experiment of releasing their major slate of films online and in theaters simultaneously. Several Netflix original films were strong enough to break out and deliver huge streaming numbers.  And though I mocked it in the previous paragraph, the human experience of going to the movie theaters is slowly starting to rebuild itself.


As for me personally, 2021 was a better year than 2020 but the highs and lows were very wide. I got to reunite with friends and family and enjoyed their company again. I also was able to cross off something on my bucket list: I finally attended Madison Square Garden where I was lucky enough to witness the historic moment of Stephen Curry's becoming the new NBA 3-point scoring leader. However, something that I always feared would happen unfortunately came true: I lost a very beloved family member due to COVID. It was one of the most distressing moments I have had to experience in my life but luckily there was a lot of love and support to get me through it. That plus plenty of work and video games to help distract me. As per usual, my movie watching experience, even at home, continued to suffer throughout the year but I have lately been more active in breaking that curse. Having your yearly movie plan with Regal Unlimited being forcibly changed to a monthly one certainly helped spurn it.


My final total of 2021 films that I watched is 15. Hooray, a rare increase in my viewing habits! The downside, however, is that not all of the films I watched can be labeled as good and/or be placed in a Best Films list. Therefore, similar to last year, I have arranged them in the order of my opinion.


First up are four films that I can easily say are some of the Best of 2021 and would have been on my list.


1. Dune

I always love to applaud a filmmaker when they somehow are able to do the so called impossible and adapt a work largely deemed unfilmable. But Denis Villeneuve goes well above and beyond with this new take on the Frank Herbert novel, able to pour his own love of the source material and blend it with exceptional production design, a fantastic cast, an unconventional score, and CGI special effects that are far more believable and awe-inspiring than distracting. My sole issue is that I wished the film festival/opening weekend version of the film was the only cut, as the film was later changed in theaters to include the "Part One" opening credit and the bad ADR final line.

2. West Side Story

I was skeptical and annoyed at its announcement. Then the trailer dropped and shook up my expectations. It would then become both the most exciting and my most watched film in theaters for 2021. Steven Spielberg and Tony Kushner did a great job carefully updating the material to a degree that helps make this reimagining of the Broadway musical stand on its own from the 1961 Hollywood classic. The sole slight that prevents this from being my number one film is the less than stellar singing of Ansel Elgort as Tony.

3. The Suicide Squad

This movie can be wisely labeled as being too much of a copy of the Guardians of the Galaxy movies but James Gunn does deliver another highly satisfying comic book romp albeit one where the executive limiters are turned way the hell off. Save for the weird abundance of bird killings, the violence is pitch perfect in its various executions, literally and figuratively. This is the kind of Suicide Squad/Secret Six story I wanted to be shared with the world.

4. The Power of the Dog

I would not mind in the slightest this being the big winner at the upcoming Oscars. Beautifully directed, shot, acted, and scored, it's the kind of movie that if released during a theaters-only era would have had everyone in the nation talking and debating thoroughly for weeks if not months. It also seemingly shares a tenuous but close connection to a Hitchcock movie that I quite admire. And just like that movie, my sole gripe against Jane Campion's latest is how the ending has to overexplain itself for the dummies in the audience before concluding with a devilish smirk.


Next up are seven films that I would most fittingly label as the "creamy middles" of the year; movies that would have very likely missed out on my Best of 2021 list but were quite effective in their execution and entertainment.


5. No Time To Die

Both a greatest hits of the entire James Bond franchise and a proper sendoff to the Daniel Craig era, this was a real treat in theaters.  As many have already proclaimed, the sequence in Cuba was absolutely one of the best moments of 2021. I would even add the pretty terrifying first prologue to that list. If the makers could have had a chat with Rami Malek about his approach to Not Dr. No aka Luytsifer Safin (ugh even for 007 standards) or given some proper lighting of Lashana Lynch, this could have been higher.

6. Belfast

I can't deny the amount of great creativity and artistry Kenneth Branagh brought to what he has dubbed his "most personal film". And the acting from the entire ensemble is near excellent. But that incessant Van Morrison soundtrack really gutted some of the joy and heart I had with the picture.

7. Demon Slayer The Movie: Mugen Train

This was the very first movie I saw back in theaters and I'm glad that even with a ton of asterisks it was able to shine brightly last year. It suffers somewhat due to it feeling less like an actual movie and more like a series of television episodes, which actually happened after some retooling in late 2021 with the premiere of Demon Slayer: Mugen Train Arc. But the movie delivers the amazing animation quality expected from Ufotable and excels at trying to ring every single emotion out of you. Also, come the fuck on MPA with that R rating.

8. Zola

Equal parts funny and harrowing, this Sundance indie finally got to see the light and bequeathed the world a stranger than fiction tale supplemented by four great performances and another interesting score by Mica Levi. Other than to help break up the anime bloc, I put this slightly lower because I quite frankly have seen this story before. I'm not talking about the initial Twitter thread that spawned the film. I mean I have watched plenty of "Florida is dirty and sucks" movies since A24 released Spring Breakers and this frankly is just another one, also courtesy of A24, to add to the pile.

9. My Hero Academia: World Heroes' Mission

The My Hero Academia movies continue to fall a bit in quality with this one but it's still an entertaining shonen flick. I really liked the film's original character Rody and there are several great action sequences, particularly the city chase. And I'm always a sucker for new music from Asian Kung-Fu Generation. It's just too bad that the movie gets tripped up in the plot department, what with the initial storyline of Deku being framed for murder, the highly questionable motives and actions of the villains and how the final battle sadly boils down to "keep punching till its dead".

10. Sword Art Online The Movie -Progressive- Aria of a Starless Night

For my first dive into this incredibly popular/divisive franchise, the movie was wisely welcoming to all interested viewers and did well enough in the action and drama departments. I still have to chuckle though at how this 97 minute movie re-tells a story, albeit one from a different angle, that was told in less than half that time in the actual anime series. Plus the usage of "beater" as an insult. Oh lordy lord, that's pathetic.

11. Shang-Chi and the Legend of the Ten Rings

Marvel was doing a great job letting Destin Daniel Cretton and his crew craft a fun and exciting martial arts superhero movie with several winning performances and standout fights. Then they had to get their fudgy fingers into the mix and give us another tiring CGI-fueled "save the world" plot in the back half. And though I was all for the subplot with Xu Xialing, the film's stinger was so obnoxiously handled. Remember Marvel, feather touch, not POWER DRIVE.


The next batch are three films that were in the tough spot between entertaining and disappointing; the type of movies where there are elements I really liked but are hampered by the overall product. Unless I was truly desperate, these would narrowly avoid earning a spot on my Worst of 2021 list.


12. Old

Good ole M. Night Shyamalan. Pulling the same tricks to hoodwink viewers into watching his films that fall apart faster than a house of cards laced with sneezing powder. To be fair, amid all of its laughable dialogue and dumb reveals, there are a few genuine scenes of horror and I was swept up by the main couple's evolving relationship. This fits perfectly next to The Village in terms of the quality of Shyamalan's outputs.

13. Ghostbusters: Afterlife

I saw this in a packed theater, where the audience were completely silent throughout it all and quickly got up and left once the credits hit. Though I had some laughs and fun with it, I was also very dismayed at the endless fan service and adherence to the original film. And then there was the piss-poor third act and the CGI creation of a certain someone. Once again, Ghostbusters 2 remains the gold standard of this franchise's disappointing follow-ups.

14. Gintama: The Very Final

I might draw the ire of some anime fans for placing this low but I know that's all empty noise because they certainly didn't turn out to see this in theaters. The movie is so incredibly impenetrable for any non-fan of the cult manga/anime series, even with the convoluted prologue that also acts as a Dragon Ball Z parody. I was smiling and laughing when it got to its comedy portions but all of that is in the last third of the movie. You have to sit through a lot of so-so at best action and stale anime drama in order to get there.


And finally, a film that would have definitely made it onto my Worst of 2021 list, albeit in a lower rank, but has now become my Worst Film of 2021 by default.


15. Mortal Kombat

I am so, so glad this didn't come out on my birthday. That's not as bad as when Heaven Is For Real really did but this was would have been such a disappointing gift for me. A violent martial arts tournament film where the tournament never takes place, led by an unbelievably boring original character despite coming from a franchise littered with personalities. I don't care how cool the prologue was, it can't make up for all of the eye rolls I had when Kano was treated as a good guy or all of the hearty laughs whenever Jax's itty bitty teeny weeny robot arms were shown on screen. This wasn't the equivalent of Mortal Kombat 9; this was the equivalent of Bloody Roar 4.


And there you have it, my film recap of 2021. But that's not all! Tune in tomorrow to see a selection of my movie awards.

Saturday, July 3, 2021

How A Realist Hero Rebuilt The Kingdom Anime - First Episode Thoughts


After over a year of patiently waiting, the long anticipated anime adaptation of the Japanese light novel series
How A Realist Hero Rebuilt The Kingdom premiered today. The series is streaming here in the United States thanks to Funimation, who clearly see big things in the series, enough to make it one of their exclusives for Summer 2021. According to eagle-eye online snoopers, the series is set to be one season of 13 episodes.

Since dipping my toes into the niche world of light novels, How A Realist has become a favorite book series of mine. I have purchased and read every single volume that has been so far translated via their American distributor J-Novel Club. I have even re-read several of the volumes, a rare feat for me when it comes to regular books. For those who may be wondering, my favorite volume is #6 (second season just for animated Naden, please!).

Due to my excitement pre- and post-viewing of the first episode, I wanted to record my thoughts on it.


BEWARE: BOOK SPOILERS/LATER EPISODE SPECULATION BELOW!




Don't let the above image fool you. I really enjoyed the first episode. I had a big stupid grin on my face watching it, thrilled at seeing all of my favorite characters being given life.

However, if I wasn't a big fan and had no experience with the books and manga, would I still enjoy this episode? Honestly, I would have probably thought this series looks fun and be a bit interested to see where it goes. But I would've more than likely waited to binge it properly or at least enforce the "three episode rule" before being committed to watching it weekly.

Given the sheer pace of the first episode, plus what has been revealed in the promotional videos, it is quite clear to fans that this season will just be an adaptation of the first two volumes. Thank god!

Though the opener is not a standout in the slightest, I did think the song by Inori Minase (who also voices Liscia) to be pretty good. Plus, the cameo of Little Musashibo could mean that the side adventuring party will make an appearance in the series.

There clearly needed to be some creative decisions when adapting the book to television but this first episode featured quite a few major changes.

So far, the show's tone appears to be more comedic and sarcastic than it is in the book. This was probably implemented mainly in order to help the show get through its introductory growing pains. Additionally, punching up the writing does help distract the viewer from the show's less than glorious animation style.

The king's mediocre abilities as a ruler is now more closer to near incompetence. It also appears that the makers decided to now leave him in the dark from the series' big twist.

I really liked how they changed Kazuya Souma's attitude to being summoned. The book basically had him shrug his shoulders and go "oh well" at the forced teleportation. Here, he gets pissed once he hears the details and reason for his summoning. His initial contempt, coupled with his blunt strategy to be the new king just for the short term, will surely be messed with in the coming episodes, making him more likable to viewers and eventually circling back to the talk about "family" brought up in the show's prologue.

Biggest shock of the first episode: the very early reveals of Roroa (and Sebastian) and the Euphoria sisters. The later pair makes a bit sense since the first episode discusses the Gran Chaos Empire and their "request" for tribute. But having Roroa just pop in at the start, coupled with the new material of what happened to the "Group B" treasures, threw me off.

Biggest disappointment: giving up the ghost of Juna being a secret spy for Excel. The makers didn't even try to have her hidden in shadow or anything. They just placed her right in the middle of a bright room and did a useless tilt up of her front appearance before cutting away from her face.

Changing the reveal of the king and queen post-abdication happily eating cake to ear cleaning kinda stunk. Still got a laugh out of me.

I knocked it a little but overall the animation is fine. Not the best of all time but serviceable enough to be pleasing. The 3D camera movements were quite interesting to say the least though they were pretty distracting.

The voice cast is pretty much the best thing of the series so far, at least according to other viewers and critics. Yusuke Kobayashi did a great job as Souma. From the small amount of Inori Minase as Liscia we got at the end of the episode, I thought she did quite well playing up the tomboyish side of the character.

I looked at other people's opinions and it seems so far most people have it around the middle, usually as a 3.0-3.5 out of 5. Most appear to have the opinion that I had above if I was a non-fan. Then you had the others that made me roll my eyes and/or shake my head: the isekai detractors who have nothing better to do than sneer at a show they didn't watch, the easy pleasers who saw the Yu-Gi-Oh joke and clapped at the reference they got, and the easily enragers who couldn't get past the idea that an 18-year-old teen was smarter than the royal court of a medium nation.

Also, I had quite a laugh at all of the dummies who have immediately written the show off because they believe it will just be stuck in the castle and involve nothing but office work. The comments about the queen being useless beyond smiling made me chuckle as well.

Though a good chunk of the initial reviews/comments are laughable, many fans and non-fans brought up some good criticism, such as the bombardment of world info, the intro of too many characters and how the episode lacked a big bang moment. I may laugh at those Yu-Gi-Oh people but I can't do the same for those who felt it was dull.


I'll of course be spending every Saturday for the next 12 weeks watching this show but this will probably be my first and last piece on it until I do my wrap-up of watched anime next year. I don't really have the intense urge to do reviews of each and every episode unless the show pulls a Promised Neverland Season 2 and somehow complete botch it. But more than likely, the show is in nice hands and will play out fine.

Sunday, May 16, 2021

2021 Eurovision Song Contest Predictions


It's really great to say this again: We are two days away from the start of the 2021 Eurovision Song Contest.

We've already had some bumps in the road, with more happening everyday (looking at you Poland), but fans across the globe are excited to have an actual contest this year. I'm sadly still unable to attend the show live for the first time due to the lingering COVID pandemic but I'm overjoyed that the show will mostly be done live and in person with some of the fans in the crowd.

Once again, I'm jotting down my predictions both for the two semis and the grand final. Here's what I think and believe about this year's entries, grouped together into special categories that seem fitting:


THE FRONT RUNNERS

Other than the expected "Arcade" effect, last year we were expected to see the Billie Eilish effect at Eurovision. Bulgaria had that covered with Victoria and her song "Tears Getting Sober". Victoria returns again with "Growing Up Is Getting Old", a song she said she starting writing in 2019 but has now become of several Eurovision songs reflecting on last year's cancellation and the COVID crisis. The song has the same magical touch as "Tears" and coupled with the outstanding staging we're seeing from the rehearsals, I believe that it is finally time for Bulgaria to get this first win. Its biggest remaining hurdle is the pervading perception that the public want a "fun" winner this year after all that we collectively went through.

Italy has been hovering for a win the past three competitions, nearly nabbing it in 2019 with "Soldi". Instead of another soaring ballad like "Fai Rumore", the country is giving us Maneskin's "Zitti E Bouni". It has the flavor of 2000's rock, the first of two such throwbacks this year, but the high aggressive energy the band brings to it is highly effective. It could be another silver medal but I and many others can see it getting gold instead, especially with what they have in store for the final performance.

At no point, from its song drop to today, did I think Switzerland had a chance at winning. I'm still flabbergasted that some people think it should easily win. It took me a while to truly appreciate Gjon' Tears' "Repondez-Moi" but "Tout L'Univers" remains very forgettable to me. I had some promise for a potential change when I first saw the first set of rehearsals but the second rehearsals, where we get to see more fully his "interpretive dancing", sunk that opportunity. It seems I'm not the only one, as many have started to change their tune on Switzerland's odds.


THE SLAYERS

France should be in the above category considering the amount of press praise it has been getting. Honestly though, like Switzerland, I think they are overrating it too much. I do like "Voila" but it being very, very French is a double edge sword. Plus it's way too serious and sad. The juries will eat it up but I expect the public vote to be shockingly low.

Oh, Malta. What do I now want you to fail? I like both Destiny and "Je Me Casse", even though the song keeps making hum Fifth Harmony's "Worth It" instead. While I first laughed off it's high chance to win this year, I'm now gobsmacked at what I feel is heavy blinders on the press. I saw a lot of critics praise the ever loving hell out of the first rehearsals, while I and much of the public were concerned and/or bashing some of the creative decisions. With the second rehearsals, the tide has turned a significant bit and the worrying has increased. I think it will squeak by into the grand final but a part of me can vividly see the press with open jaws at its non-qualification.

Some strange press pundits think Russia has a good chance at winning. That's pure bull. Although, I do see Manizha doing quite well with her creative performance of "Russian Woman". She has already got some fan backing after all of the stupid controversy she had to endure in her home nation. She will get even more global fans after Tuesday and, more than likely, Saturday.

Thank god Greece didn't give us another "Supergirl". "Last Dance" will be the best of the 80's revival songs this year and Stefania will certainly be striking with her purple outfit and dancing alongside her heavily special effected crew.

Similar to their experience with "Fuego" albeit to a small degree, Cyprus is riding on some high momentum with Elena Tsagrinou and "El Diablo". Still being decried as a Lady Gaga ripoff, Elena and her delegation are putting a lot of effort into their performance and hoping to steal votes away from the other female pop singers.

Time is starting to run out a little for Croatia. "Tick Tock" was a big fan favorite going into the contest but has lost some steam since rehearsals. I and many fans still have faith in it but it more than likely will suffer the same fate of Belarus 2019 if it passes its semi-final.

Also coming down the standings is San Marino. "Adrenalina" floored the internet when it dropped and Senhit has been winning a lot of the Eurovision fanbase over the past year with her antics. However, with surprise guest rapper Flo Rida more than likely not coming to Rotterdam, she has faltered with the general public. Senhit still has a chance making it through Semi Final 2 but the reputation of her lowly country could be her undoing.

Putting Azerbaijan here is a bit of a joke as Efendi's "Mata Hari" doesn't slay like "Cleopatra". However, even though I am concerned about her getting swallowed up by the stage, I think Efendi and her risque dancers will do well and make enough of a statement to get into the grand final.


TOP TEN HOPEFULS

Expected to win last year before the cancellation, Iceland will more than likely not be able to do it this year. "10 Years" is a great song from Daoi Freyr and his group Gagnamagnio but it is so not "Think About Things". However, the expected goofy and colorful performance will cause it to safely secure a spot in the top ten at least.

Lithuania also had a chance to win last year but they are almost the opposite of Iceland this time around. "Discotheque" blows "On Fire" out of the water and The Roop are far more confident in their presentation. Crossing my fingers it will be higher up the top ten and potentially become the country's best result ever.

Ukraine returns to the stage after their controversial exit from 2019 and could potentially shake up the lower half of the top ten with Go_A and their electro-folk bop "Shum". The crazy factor is high, with their expected performance to include CGI shimmering people running, a snow white forest platform, and Tron-like power discs.


FINAL FILLERS

It's nice to place The United Kingdom higher up on this category than usual. "Embers" is a great pop song that you could viably hear playing on your radio today and it always gets my toes tapping. Unfortunately, the rehearsal footage has me considered, especially with the potentially useless giant trumpets.

The Netherlands obviously don't want to host the contest again, even with the cancellation. That being said, "Birth Of A New Age" is a pretty fantastic host country song, one of the best lately.

Portugal shocked everyone by picking an all English song for the first time ever. I believe they will continue to shock the world by easily making it in. Though a little sleepy at first, "Love Is On My Side" grabs your attention and crescendos at the end. I had faith in it before the rehearsals started and I've already cashed out massively on that bet. Critics gave it a pass to the final, even while still grumbling about "Telemoveis" bombing in 2019.

I might be crazy but like Portugal I think Spain will be doing better than expected. I getting the same kind of vibes as Italy 2013. Blas Canto has a better song than last year's attempt and the stage performance looks to do wonders for it.

Good ole Albania giving us another bombastic Balkan ballad. Anxhela Peristeri will do enough with "Karma" to get the country middle of the pack at the grand final.

I'm still not happy with Keiino losing out on representing them but Norway at least has some quality with their preferred performer. Tix looks like that YouTuber you hate but he does charisma and some decent singing chops. He's also an all-around very nice guy in general. I think my main problem with him and his song "Fallen Angel" is that it's too basic of an Eurovision entry. There's nothing that really elevates it a lot in my opinion and I think much of the public will think so too come Saturday.

I can't help but love Finland this year. Though the song is bit eye-rolling, I can't fully scrub my adoration for nu-metal out of my life. Plus, Blind Channel go full bore with it and like a good rock band want the crowd to go crazy with them.

Ireland is one of this year's biggest "on the fence" acts. "Maps" is a strong song for the country but Lesley Roy really needs to give it all in order to pass, something she hasn't quite shown in the rehearsals. The country is going all out in the performance aspect with special effects and unique camerawork, something that has easily helped save lesser acts, but whether it will be a Russia 2016 or Iceland 2016 remains to be seen come the top ten announcements on Tuesday.

Though it should be something up my alley, I wasn't a fan of Serbia last year or even this year. Hurricane has the fire with "Loco Loco" but having just the trio on the vast stage is bringing bad Moje 3 vibes.

Oh how I greatly hope to see Latvia and Samantha Tina get through to the final. The rehearsals improved over time and Tina is still an amazing presence. She just needs to succeed with the rest of her strong block in Semi Final 2.

I don't feel hate or sorry for Germany. They purposefully picked a kooky performer to perform a kooky song and match it with a kooky stage performance. It will draw some eyes and voters to keep it from the absolute bottom but not enough past #20.

It's not fun for me to have Sweden this low. "Voices" certainly wasn't my pick from Melodifestivalen but I understand its draw and Tusse is a nice guy. But the song is very much in the vein of The Weeknd and the real lyrics of "a million voices" will piss off the Eurovision crowd. Plus, the rehearsals show that Tusse is now sporting a Mortal Kombat gi and can only do the Rykee dance of rapid squatting and holding in his pee. There is a part of me that really believes we will see the second ever time Sweden fails to qualify on Tuesday. Of course, that is only if the juries don't save it and then proceed to carry it chiefly in the grand final.


PAINFUL ELIMINATIONS

Let's get the most painful out of the way first: Australia. Montaigne and her crew put a lot into the song and the overall package for "Technicolor" but I think her not performing live in Rotterdam (due to COVID and travel issues) will severely hurt her chances. A lot of the press think otherwise but I really do see the voting public not to be there for her because of this issue.

Also painful for me is the high chance of Czech Republic not making through. I'm really behind Benny Cristo and see him being a great star, even after all of those pointless revamps of his 2019 entry "Kemama". "Omaga" is another bop from him but the rehearsals have been very poor and caused many to scratch him.

Removing all of what's currently going on with the country in the news, Israel could be left behind by the public. Eden Alene has the star power and the chops to hit that whistle note but with so many other female pop singers in the competition, especially in her semi final, she might not make it through.

While I still roll my eyes at Estonia and their sheer insistence on Uku Suviste, I will say that I do enjoy "The Lucky One", especially when the Michael McDonald-like backup singer goes "Better off alone!" But the national final performance wasn't a game-changer and the rehearsals at Rotterdam show no improvement. As many have said, maybe Uku should use that crystal ball to show him what the future lies and quickly change up things before it's too late.

I'm still not a big fan of Vincent Bueno but he is giving it all to see Austria qualify this year with "Amen". But the song isn't that good enough, even with some pizzazz going into the performance.

Making it two for two with "Amen" songs, Slovenia doesn't look to get off the blocks. Ana Soklic is in the dreaded 2nd performance position in the first semi final and her amazing voice is sure to be overshadowed by better acts.

When you fail at making something truly memorable, don't give critics an easy layup with a bad title. Romania did just that with "Amnesia", Roxen's not-so-hot follow-up to "Alcohol You". The song is a bit of a wash but it is the rehearsals that greatly show that this will not stick with voters.


DEAD ON ARRIVAL

Georgia. "You" is absolutely dreadful and ponderous. The performance looks terrible. Moving on.

Poland had no chance with "The Ride", even with its 80's inspired aesthetic. Rafal is a very dull singer and all of his live performance videos have received significant downvotes. The rehearsal videos have shown that the country can't make a good performance out of it either. Then to top it all off, he also will not perform live because someone from his delegation has now tested positive for COVID.

While it's nice to have a Danish song from Denmark, that doesn't change the fact that "Ove Os Pa Hinanden" is a laughably bad song. Somebody brought up ABC's "The Look of Love" when comparing with it and I briefly changed my tune for a second until I remembered that that song is a masterpiece and this is a crappy ripoff of 80's schlager. Even if you have a soft spot for it or see it as a guilty pleasure, the performance looks to be a disaster. I can't believe the show producers are letting this go last in the second semi final.

Vasil has a great voice but he can't save North Macedonia this time around with "Here I Stand". And that obvious artistic swipe from Dotter's "Bulletproof" performance has many booing him already.

Though we have several sad, serious and somber songs, Belgium takes the cake. "The Wrong Place" is a polished yet boring coffee shop song and Hooverphonic come off as way too pretentious, especially with their dark and gritty performance. What is with this country and this horrible musical trend?

My poor Moldova fell off a cliff once it became clear that the dancing ice cream cones from the music video of "Sugar" weren't coming to Rotterdam. Coupled with the pathetic staging and you have an easy non-qualifier.


For those who just want the Cliff Notes version, here's what I have as my predictions for qualifying in the two semi-finals.

Semi Final 1

Azerbaijan
Croatia
Cyprus
Ireland
Lithuania
Malta
Norway
Russia
Sweden
Ukraine

Potential Stealer: Australia, Israel
Potenial Non-Qualifier: Ireland, Malta, Sweden


Semi Final 2

Albania
Bulgaria
Finland
Greece
Iceland
Latvia
Portugal
San Marino
Serbia
Switzerland

Potential Stealer: Austria, Estonia
Potenial Non-Qualifier: Latvia, San Marino, Serbia, Switzerland


Here are my top ten favorite songs from this year's contest in alphabetical order:

Bulgaria
Croatia
Czech Republic
Finland
Iceland
Italy
Latvia
Lithuania
Ukraine
United Kingdom

And I again asked my non-fan father to watch/listen to the official recap video of all 39 songs and come up with his own top five:

1. Iceland
2. Germany
3. Slovenia
4. North Macedonia
5. Portugal


The semi finals will take place on May 18 and 20, both starting at 3 PM EST. The grand final is on Saturday May 22. You will need to check Twitter for updates or watch it live via other countries' streams.