Monday, June 29, 2009
Michael Jackson - RIP
Wednesday, June 24, 2009
Transformers: Revenge of the Fallen - Review
Sunday, June 21, 2009
Rifftrax: Night of the Living Dead - Review
I have not partaken in any kind of Rifftrax. This has always been a peculiar problem for myself. It isn't because of commerce or taste. I believe it has more to due with my ongoing beliefs of digital and real ownership. I would rather have a comedic commentary track inputed in the encoding of a DVD rather buying two separate items and and play "synch tag" to work.
Rifftrax is the latest side project from some of the cast and crew of the cult 90's television series, Mystery Science Theater 3000 (MST3K). It has the same principle of the show, a group of people lambasting comically at films, but it exists as a mp3 file instead of a chrome-keyed visual as a way to bypass copyright laws. The crew also changed the variety of their targets, going after films that are popular with the public and/or actually very well-made films such as CASABLANCA. Recently, the company and Legend Films released a bunch of DVDs with the commentary tracks attached but only for films that are publicly domain.
RIFFTRAX: NIGHT OF THE LIVING DEAD wasn't the one I wanted to buy. I was eyeing their educational shorts collection (which the MST3K crew were always great with) and MISSILE TO THE MOON with special guest Fred Willard. However, due to my local Best Buy, this was the only one available at the time.
I had some reservations about the selected film. NIGHT OF THE LIVING DEAD is a horror classic filled with political and social issues of the 1960s. Also, Mike Nelson, the head of Rifftrax and the 2nd host of MST3K, did a solo track on a previous release by Legend Films and it wasn't well received even by the MST3K fans. Some earlier reviewers have unhappily stated that some of Nelson's jokes are re-used here. I didn't see this version but it makes me wonder about getting their REEFER MADNESS DVD since I own and heard Nelson's take on it.
The DVD starts off deader(?) than any of the film's "ghouls." The trio of Mike Nelson, Kevin Murphy (Tom Servo) and Bill Corbett (Crow) have nothing but lame observational quips for the opening moments in the cemetery. While a few are smile-worthy, the jokes caused me to question the writing of their script. Were these lame to entice new and curious viewers? If I was an average viewer, I would have turned off the DVD.
As soon as the second protagonist is introduced and the constant shots of barricading windows, the commentary gets more lively and witty. Their debates on the odd placement of sound effects, generic characterization, and continuity errors certain deserve a laugh. Popular culture comes into play as well with funny riffs on the animated disaster DELGO and Bill singing a familiar television show when the traumatized female lead keeps repeating its signature name.
To make a truly awful joke about this DVD, it rises from the dead to bring some of the old glory of MST3K back in the spotlight. After the awful first third, the comedic take on NIGHT OF THE LIVING DEAD becomes spot-on and a joy to listen to.
FINAL REVIEW : 3/5
Monday, June 15, 2009
Tokyo Gore Police - Review
During a battle between a woman with a serpent-like left hand and a hunchbacked doctor with a cannon that fires severed hands, a line is spoken. The doctor says, "I am disappointed and I am happy." These are the types of movie lines that critics such as myself crave. It sums up the frustration or joy experiencing with celluloid.
TOKYO GORE POLICE is simply a makeup effects film for gore fanatics. It relishes in the ultraviolence of human bodies and the grotesque modifications of them. There is some joy in this fact but director Yoshihiro Nishimura's exploration further into the film with a lame script hinders its configuration.
The plot is an invisible entity that only re-exists when every they tap out of violent B-roll footage. Ruka (Eihi Shiina) is a officer for the newly privatized police force specially designed to take out "engineers", homicidal human beings with mutated appendages. As part of the newly privatized police force in Japan, she kills the altered citizens of Tokyo while following her personal vendetta against the assassin who murdered her father. Both come to head with the when she meets up with the Keyman, a serial killer and creator of the "engineers."
Story shouldn't have to have too much importance for this film but it needs to due to the tone. TOKYO GORE POLICE wants to be a Verhoeven satire, a surrealistic gory fantasy, and a human tragedy at the same time. The scenes of the latter causes the viewer to question its placement and the hypocritical messages. There's a montage sequence where people are being slaughtered in over-the-top manners to make you laugh along, and then suddenly Ruka is crying over this fact and sad music plays. Essentially, Nishimura hands you out a hot fudge sundae only to spit in it after a couple of mouth fulls.
Ruka also is an annoying problem. She is a bare-bones copy of a popular female character type in independent Japanese films and anime. With a wink toward The A.V. Club's "Maniac Pixie Dream Girl", I have dubbed this type as the Existential Brood Girl. The word "Lonely" was going to be added, but the term is already redundant as it is. Ruka has all of the same mannerisms as the Existential Brood Girl: beautiful yet anti-social, self-inflicting and suicidal in physical altercations, and can't get over family problems and deaths. The Existential Brood Girl is always a problem as a main character but Ruka is so underdeveloped and generic that there is no want to cheer or root. Even the film breaks off from her to go to more violent and disturbing events to keep the tempo going.
Despite these problems with the overall script, including its obvious plot twists and direction, the film at least displays a mastery of makeup and special effects by Nishimura. It achieves a NAKED LUNCH like status of hallucinatory distortions and nearly perfect reproductions of the human body. The Keyman is placed as an important part of this equation, due to the abilities of his "keys." These can create "locks" on selected individuals that rip open the flesh when open. Another small part of the film has him exsanguinate the undesirables and contort their bodies into cardboard boxes. These effects are made surprisingly frightening and disturbing and help make the antagonist much more threatening.
While the gore in the film works effectively, thus living up to its placement in the title, the abundance of blood hurts the violence experience. When human parts starts flying and falling off, long sprays of blood obviously come out in a reminiscence of old samurai films. The problem is that it hits the camera frame a lot. This constant awareness and overflow ruins the impact of scenes where it is part of the act, such as when a driver wipes the piles of blood off his windshield. It also doesn't help that the blood is very watery instead of the Kensington Gore variety.
While my analysis leads more towards the negatives, TOKYO GORE POLICE is an okay film for those looking for blood and guts. It doesn't have the great overall charm of other gory comedy films such as DEAD ALIVE/BRAINDEAD, but is fine for what it is. Just make sure to shut off and unplug the cords to your brain.
Saturday, June 13, 2009
Mitsuharu Misawa RIP
Mitsuharu Misawa was a living legend and a hated old timer. He could make fans cheer his name and earn the scorn of Internet wrestling fans (a.k.a. IWC). His decisions within his wrestling company, Pro Wrestling NOAH, could help the house show attendance but annoy the followers overseas.
I was one of the detractors but I had respect for the man. He could still go further than some other wrestling legends at his age and created a company that put a spotlight on future stars and wrestlers.
My first match featuring him was a tag team classic during his AJPW days. I was getting further into puroresu (Japanese professional wrestling) and his name kept popping up. This interest in him expanded when I played as him in the Fire Pro Wrestling games on the Game Boy Advance. After this match, I followed his company NOAH and the beginnings and future career. He had "it".
With his sudden death, all of Misawa's recent accomplishments are being seen in a new light. His year-long title reign and Tag Team Tournament win now feel like something for the good for puroresu fans rather than an ego-stroked business decision. It also creates an uncertain future for his company after experiencing a year of troubles and diminished business.
I miss him and wish I could see him perform in person.
Misawa's spirit will continue in the puroresu scene and follow all of his students and friends that lived with him.
Rest in Peace, Misawa Mitsuharu.
Tuesday, June 9, 2009
My Tops of 2009 (so far...)
This post lists my personal favorites of the year and the things that were the best according to me.
(Geez, can that get anymore redundant?)
Top Films of 2009
1. Up
2. The Hurt Locker
3. District 9
4. Away We Go
5. Star Trek
6. Ponyo
7. Zombieland
8. Not Quite Hollywood
9. Moon
10. Avatar
11. Watchmen
Top Video Games of 2009
1. Retro Game Challenge (DS)
2. Beatles: Rock Band (X360)
3. X-Men Origins: Wolverine (X360)
4. The House of the Dead: Overkill (Wii)
5. UFC: Undisputed (X360)
6. Punchout! (Wii)
7. Marvel: Ultimate Alliance 2 (X360)
8. Wet (X360)
9. Sonic's Ultimate Genesis Collection (X360)
Top Worst Films of 2009
1. Transformers: Revenge of the Fallen
2. Street Fighter: The Legend of Chun-Li
3. The Ugly Truth
4. Land of the Lost
5. The Boondock Saints II: All Saint's Day
6. The Informers
7. My Life in Ruins
8. 12 Rounds